Clara Schumann ve Op.21 3 Romans'ın Form, Teknik ve Müzikal Analizi
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Dosyalar
Tarih
2020
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Trakya Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu makalede Romantik Dönemin önemli besteci, öğretmen ve konser piyanisti Clara Schumann’ın müzikal ifadesine değinilmiştir. Robert Schumann ile evliliğinin öncesinde Clara Josephine Wieck adı ile de ün yapmış, dönemin piyano konserlerinin format ve repertuarına öncülük etmiştir. Bu çalışmada, Clara Schumann’ın bestecilik ve icracılık yönleri değerlendirilmiş, piyano literatürüne kazandırdığı eserleri, tekniği ve şiirsel anlatımı üzerine odaklanılmıştır. Bu çalışma aynı zamanda 19. yüzyılın başlarında Avrupa’da şekillenen toplumsal ve müzikal değişime, kadın besteci ve sanatçılara, piyanonun yaygınlaşması ve romantik dönemin ortaya çıkardığı müzik formlarına da odaklanmıştır. İcracı perspektifinden bakılarak op.21 Üç Romance form, armonik, melodik ve ritmik, teknik, müzikal açılardan irdelenmiş ve piyanistik açıdan kazanımları değerlendirilmiştir. Makalede nitel araştırma yöntemlerinden literatür tarama, nota arşivleri, metin ve nota analizi yöntemleri kullanılmıştır. Bu araştırmada, bestecinin piyano edebiyatına bırakmış olduğu bu önemli eserin akademisyen ve öğrenciler tarafından daha bilinçli yorumlanması; müzikal ve teknik gelişime fayda sağlaması ve müzisyenlere yol göstermesi amaç edinilmiştir.
In this article, the musical expression of the acclaimed composer, teacher and concert pianist of the Romantic Period, Clara Schumann is mentioned. Prior to her marriage with Robert Schumann, she also became famous under the name Clara Josephine Wieck by leading the content and repertoire choices of the piano concerts of the period. In this research, composing and performing aspects of Clara Schumann were evaluated, her works, her piano technique and poetic expression that she brought to piano literature were focused on. Furthermore the social and musical changes occurred in Europe in the early 19th century, the leading female composers and artists, widespread use of the piano and the newly invented forms of music were discussed. Clara Schumann’s Op.21 Three Romances were examined in terms of form, harmony, melody, rhythm, technical and musical aspects of playing. Additionally they were evaluated in terms of interpretaiton and musical achievements from a pianist’s point of view. Preparing this article, qualitative research methods used such as literature review, sheet music archives, text analysis and musical analysis. In this research, it is aimed to contribute to interpretive and technical development of the musicians by understanding the importance of the work that composer brought to piano literature more accurately.
In this article, the musical expression of the acclaimed composer, teacher and concert pianist of the Romantic Period, Clara Schumann is mentioned. Prior to her marriage with Robert Schumann, she also became famous under the name Clara Josephine Wieck by leading the content and repertoire choices of the piano concerts of the period. In this research, composing and performing aspects of Clara Schumann were evaluated, her works, her piano technique and poetic expression that she brought to piano literature were focused on. Furthermore the social and musical changes occurred in Europe in the early 19th century, the leading female composers and artists, widespread use of the piano and the newly invented forms of music were discussed. Clara Schumann’s Op.21 Three Romances were examined in terms of form, harmony, melody, rhythm, technical and musical aspects of playing. Additionally they were evaluated in terms of interpretaiton and musical achievements from a pianist’s point of view. Preparing this article, qualitative research methods used such as literature review, sheet music archives, text analysis and musical analysis. In this research, it is aimed to contribute to interpretive and technical development of the musicians by understanding the importance of the work that composer brought to piano literature more accurately.
Açıklama
Anahtar Kelimeler
Romantik dönem, clara schumann, romance, piyano, Romantic Period, Clara Schumann, Romance, Piano
Kaynak
Balkan Müzik ve Sanat Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
2
Sayı
2
