Bayraktar, KutalmışParlak Uğurlu, Banu2021-11-202021-11-2020201305-77662587-2451https://doi.org/10.26468/trakyasobed.637912https://dergipark.org.tr/tr/pub/trakyasobed/issue/52498/637912https://dergipark.org.tr/tr/download/article-file/1136358https://hdl.handle.net/20.500.14551/7034Araştırmanın ilgilendiği sanat işleri, sanat tarihi çalışmalarında “duvar resmi” terim anlamının içine dâhil olmaktadır. İncelenen resimler, “geçiş döneminin” artık fotoğraf teknolojisinin de bu uygulamada rolü olduğu 19. yy. ‘ın son çeyreğine aittir. Edirne’de konak maliki merhum Şücaattin Dumlu ismi dolayısıyla Dumlu Konağı olarak geçen günümüzde metruk halde bulunan tarihi konaktaki toplamda 4 adet duvar resmi, estetik değerleri, mekânla kurduğu ilişkileri ve sanat tarihsel özellikleriyle incelenmektedir.The artworks that the research is interested in are included in the meaning of the terms “wall paintings” or “mural paintings” in art history studies. The paintings; we investigate, belong to the last quarter of the 19th century, which is at the end of the historical slice of “the transition period” of Turkish Art History; at the time, the practice found a contribution from the technology of photography. In this research, we study a totally of 4 wall paintings (some of which are ruined, the rests are about to be ruined) in terms of the aesthetic values, relations with the architectural space, and art historical features; on the historic mansion, named Dumlu Mansion because of the name of former owner Şücaattin Dumlu, which is currently in a deserted state. In addition, we delve into the history of the mansion, which is recently developed -a controversial topic-, by using historical and art historical research.tr10.26468/trakyasobed.637912info:eu-repo/semantics/openAccessDumlu Konağıduvar resmiEdirne19. yy. Türk resmibatılılaşma dönemi resmiTurkish Housewall paintingEdirneTurkish Painting in 19th centuryWesternization Period PaintingEDİRNE DUMLU KONAĞI DUVAR RESİMLERİ ve SANAT TARİHSEL OKUMALARIEdirne Dumlu Mansion Wall Paintings and Its Art Historical ReadingsArticle221313330637912