Türk Bahçe Sanatına Bir Örnek: Edirne Sarayı Bahçesi
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Dosyalar
Tarih
2005
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Trakya Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Tarihî saray ve bahçelerin form ve mekânsal organizasyonları belli dönemleri yansıtırlar (Ergun ve Özge, 2002). 18. yüzyıldan önce inşa edilen Türk saray bahçeleri daha sonraki dönemde inşa edilenlere göre çok daha sade ve alçakgönüllü yapıdaydı (Arseven,1970). Bir Türk bahçesinin yer seçimi doğanın güzelliği ve gizemini yakalayabilmek amacı doğrultusunda, çevresel, iklimsel ve manzara etkileri göz önünde bulundurularak yapılmıştır (Evyapan,1991). (Erdoğan, 1958). Saray bahçeleri geometrik formda iç ve dış avlular olarak tasarlanmıştır. Ancak Türk bahçe sanatının orijinal karakteristiği 18.yy’dan itibaren Rönesans ve Barok bahçe sanatının etkisi ile değişmiştir. 19. yy. ortalarında ise Türk bahçe sanatı neredeyse tamamen yok olmuştur (Ergun ve Özge, 2002). Çalışmanın amacı Türk bahçe sanatı geleneğinin eldeki sınırlı veriler bozulmadan, arşiv belgelerinin ışığında araştırılıp yorumlanmasıdır.
The form and spatial organization of historical gardens represent the artistic features of a period (Ergun and Özge, 2002). Palace gardens built before the 18 th century were very plain and unadorned compared to those built later (Arseven,1970). Selection of land for a Turkish garden was done by considering the effects of climate, environmental conditions and view to capture the beauty and mystery of nature (Evyapan 1991, Erdoğan 1958). Palace gardens were designed as internal and external courtyards of geometrical form. However, the original characteristics of the Turkish garden were changed in the modes of the Renaissance the Baroque gardens in the first half of the eighteenty century. From the mid –nineteenth century, the definitive features of the purely Turkish art of gardening almost vanished (Ergun and Özge, 2002). The aim of this study is to investigate and interprete the manner of the Turkish garden art by using the limited data, which is about to disappear, under the light of archive documents.
The form and spatial organization of historical gardens represent the artistic features of a period (Ergun and Özge, 2002). Palace gardens built before the 18 th century were very plain and unadorned compared to those built later (Arseven,1970). Selection of land for a Turkish garden was done by considering the effects of climate, environmental conditions and view to capture the beauty and mystery of nature (Evyapan 1991, Erdoğan 1958). Palace gardens were designed as internal and external courtyards of geometrical form. However, the original characteristics of the Turkish garden were changed in the modes of the Renaissance the Baroque gardens in the first half of the eighteenty century. From the mid –nineteenth century, the definitive features of the purely Turkish art of gardening almost vanished (Ergun and Özge, 2002). The aim of this study is to investigate and interprete the manner of the Turkish garden art by using the limited data, which is about to disappear, under the light of archive documents.
Açıklama
Anahtar Kelimeler
Turkish garden art, Historical gardens, Gardens of the Edirne Palace, Courtyard, Türk Bahçe Sanatı, Tarihi bahçeler, Edirne Saray Bahçeleri, Avlu
Kaynak
Trakya Üniversitesi Fen Bilimleri Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
6
Sayı
2
