Piyanonun Türk Musikisi icra ve kuramına etkisinin değerlendirilmesi
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Dosyalar
Tarih
2013
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Trakya Üniversitesi Sosyal Bilimler Enstitüsü
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu araştırmanın amacı piyanoda Türk musikisi üslubunun oluşma sürecine katılan uzman piyanistlerin görüGleri doğrultusunda piyanonun Türk musikisine etkilerini ortaya koymaktır. Bu amaç doğrultusunda “Piyanonun Türk Musikisine Etkileri” adı altında “Türk Musiki Kuramına, şcrasına Etkisi nedir; bu etkilere yönelik olarak piyanoda Türk musikisi üslubunun oluşması nasıl gerçekleşmiştir?” adlı soru cümlesi araştırma konusu yapılmıştır. Tezde nitel yöntem uygulanmıştır. Nitel yöntemin uygulama türü saha araştırması ve örnek olay desenidir. Veri toplamada görüşme aracından yararlanılmış; veriler çizelge ve çizgeler ile açıklanmıştır. Görüşme yapılan dört icra ustası ve alan uzmanın görüşlerinden piyano klavyesinin Türk musikisi perde düzeni açısından sorun yarattığı ve bu sorunun bazı makamların piyanoda icrasını olanaksız kıldığı; bu sorunlara rağmen piyanoda Türk musikisi icra üslubunun oluştuğu tespit edilmiGtir. Ayrıca üslubu oluşturan nitelikleri açıklayan ve Türk musikisi eserlerinin piyano ile icrasında makamın etkisini verebilmek için çeşitli çözüm önerilerini ortaya koyan sonuçlar elde edilmiştir. Anahtar Sözcükler: Piyano, Türk musikisi, Kuram, icra, Üslup
Abstract
The purpose of this thesis is to reveal the influence of the piano on Turkish music in accordance with the views of specialist pianists who took part in the formation of the style of Turkish music. In accordance with this purpose, the following question is used as the research?s subject: “What is the influence of the piano on the theory and performance of Turkish music; and how did the formation of the style of Turkish music take place as a result of this influence?”. The qualitative analysis method has been used in this thesis. The practice of the qualitative method includes field and case studies. The collected data is presented with interviews, tables and charts. Some problems occuring in the performance of Turkish music in the piano are discussed in this thesis. It can be inferred as a result of the interviews with the four master performers and specialists in this field that the keyboard of the piano poses a problem for the fret order of Turkish music. This problem makes the performance of some modes impossible for piano. In spite of these problems, Turkish musicians have developed a unique style of the piano performance of Turkish music. Moreover, these performances show the formation of the style of Turkish music pieces. These pieces have created various effects on the mode of the piano performance. Keywords: Piano, Turkish Music, Theory, Performance, Style
Abstract
The purpose of this thesis is to reveal the influence of the piano on Turkish music in accordance with the views of specialist pianists who took part in the formation of the style of Turkish music. In accordance with this purpose, the following question is used as the research?s subject: “What is the influence of the piano on the theory and performance of Turkish music; and how did the formation of the style of Turkish music take place as a result of this influence?”. The qualitative analysis method has been used in this thesis. The practice of the qualitative method includes field and case studies. The collected data is presented with interviews, tables and charts. Some problems occuring in the performance of Turkish music in the piano are discussed in this thesis. It can be inferred as a result of the interviews with the four master performers and specialists in this field that the keyboard of the piano poses a problem for the fret order of Turkish music. This problem makes the performance of some modes impossible for piano. In spite of these problems, Turkish musicians have developed a unique style of the piano performance of Turkish music. Moreover, these performances show the formation of the style of Turkish music pieces. These pieces have created various effects on the mode of the piano performance. Keywords: Piano, Turkish Music, Theory, Performance, Style
Açıklama
Yüksek Lisans Tezi
Anahtar Kelimeler
Piyano, Türk Musikisi, Kuram, İcra, Üslup, Turkish Music, Piano, Theory, Performance, Style
